The painting is started with a complete outline transfered from a large print out of the reference. Starting with just the head, a mixture of clove and safflower oil is spread on to the canvas to slow drying and to help the paint go on more easily.
The face is first laid in using very bright color because after the highlights are later added the colors will by noticeably dulled.
The face is first laid in using very bright color because after the highlights are later added the colors will by noticeably dulled.
Seeing that the face was too warm I started painting in the cool window behind her to help me gage the colors.
With the head mostly resolved I start moving on down the figure.
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